Which Northern Renaissance Artist Are You?

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What kind of person would people think you are when looking at your artwork?

People would think I'm simplistic and melo-dramatic.

Pious and devout.

Everyone already knows who I am. I'm the bomb-dot-com.

Quiet and laidback. I'm a pretty chill dude.

Most people would assume I have OCD. Did you just move my paintbrush? There's a place for that.

Image source: Matthias Grünewald, Isenheim Altarpiece; Allegory of the Nativity, c. 1515. Retrieved from ArtStor. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.

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Who are your patrons?

Everyone. Literally.

I am equally known for my religious commissions as well as my personal portrait commissions by aristocrats.

My patrons consist entirely of members of the church.

My patrons are aristocrats looking to fill their homes with collections of my work.

Many of my patrons are members of the church but I also do portraiture. I'm a people pleaser.

Image source: Jan van Eyck, Madonna of Chancellor Rolin, c. 1435. Retrieved from ArtStor. Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.

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What kind of artwork do you prefer to make?

Though I dabble in self portraits, small devotional images are my main focus.

Paintings that look plain at first glance but contain hidden meanings.

Most of my artwork is religous and featured in churches.

I do it all, but engravings and printmaking are my thing.

I prefer to paint large religious images with exact detail.

Image source: Albrecht Dürer, Melencolia I, Google Art Project

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What relates more to your artwork? Idealized beauty or realism?

Idealized beauty is key to a successful painting.

Realism is the ONLY way to survive in my world. My work is on fleek.

My landscapes are as real as it gets but my figures are somewhere in between.

I prefer to idealize figures while representing realistic settings.

My characters are lifelike, but my backdrops are often idealized.

Image source: Jan van Eyck, The Ghent Altarpiece (open), Virgin Mary (detail), completed 1432. Retrieved from ArtStor. Image and original data provided by Lukas - Art in Flanders.

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When it comes to your artwork, what's your preferred color scheme?

I use pale, hushed tones for most of my artwork.

I prefer bright, vibrant primary colors.

I use a lot of dark colors to set the mood.

I do it all, though I'm most famous for my black and white's.

My artwork consists of mostly dark undertones with a pop of primary color here and there.

Image source: Petrus Christus, The Annunciation, ca. 1450. Image retrieved from ArtStor. The Metropolitan Museum of Art.

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Which characteristic is most relevant to your career plan?

It's what you do AND who you know. I'm climbing that social ladder!

I will do anything and everything to follow my dreams, even if I have to leave home for it.

I know what I'm good at and I stick to it, but I also know how to capitalize on a good thing.

I'm outta here first chance I get. I want to paint the classics, baby!

I am mutli-talented. I always have a plan B if plan A doesn't succeed.

Image source: Pieter Brueghel the Elder, Return of the Hunters, 1565. Retrieved from ArtStor. Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.

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Which characteristic relates to your artwork the most?

My artwork is simple but has complex meanings behind it that are not always clear.

My artwork is minutely detailed. Perfection is what I aim for.

My artwork reflects my beliefs. I have nothing to hide!

My artwork shows my inspiration, but also has a style unique to me.

My artwork shows how awesome/intellegent/amazing I am and reflects my otherwordly interests.

Image source: Albrecht Dürer, Hare (A Young Hare), 1502. Retrieved from ArtStor. Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.

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Would you be willing to travel for your artwork and inspiration?

I'll move around if neccessary, but once I'm comfortable I'll stay put.

I go where the wind takes me. How else will I get noticed?

Home is nice and all, but the grass is greener on the other side of the Alps. Peace!

Nope. I come when I'm called, but it better be close to home.

Home is where the hearth is; I'm never leaving.

Image source: Pieter Bruegel the Elder, The Harvesters, 1565. Retrieved from ArtStor. Image © The Metropolitan Museum of Art.

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